16 718 безплатни аудиофайлове за "Midi Files Containing Pitch Bend Data"

First Publication Alberts Music Sydney Australia with separate violin & cornet parts (ommitted) Fourth edition 1932 by another publisher Palings Sydney Australia with band parts Bert Rache (-1928) http://nla.gov.au/anbd.aut-an35655503 Dated Australia wide (5 July 1910). "Advertising". The West Australian XXVI, (7,572): 1. Retrieved on 3 May 2021.

Alexander Scriabin: opus 40.02

Alexander Scriabin: opus 32.01 (Clavinova version optimized for General MIDI)

Berg's basic tone row from Lulu on C.

Giulio Caccini: Amor che attendi.

Chord progression with a borrowed chord second to last: iv or Fm in C major.

Bar 131 to 134 from Grieg's Humoreske op. 6 nr. 4

C majorΕλληνικά: Η συγχορδία ΝΤΟ μείζονα

Klangbeispiel eines Mordents (musikalische Verzierung); Instument: Piano

Dorian mode in Bloch's Chanty from Poems of the Sea, mm. 1-8.

Suspended 2nd Chord on C.

Tritone substitution. ii7-Vb7/V-IM7 instead of ii7-V7-IM7.

Robert Schumann, Album für die Jugend, Op. 68, Nr. 10: "Fröhlicher Landmann, von der Arbeit zurückkehrend" ("Happy Farmer, Returning from Work"), 37 seconds

Quartal chords descending by semitone. Created by Hyacinth (talk) 21:48, 2 February 2012 (UTC) using Sibelius 5.

Alexander Scriabin: opus 25.03

Characteristic rock hi-hat pattern.

Klangbeispiel eines Pralltrillers (musikalische Verzierung), Beginn mit oberer Nebennote; Instument: Piano

ii7-V7-IM7, for comparison with a tritone substitution (ii7-Vb7/V-IM7).

A chorale melody containing only steps, no skips: "Jesu, Leiden, Pein, un Tod".

Alexander Scriabin: opus 13.01

Berg's Dr. Schön tone row from Lulu on C.

Major second on D.

Tritone substitution. F♯7 may substitute for C7, and vice versa, because they both share E♮ and B♭/A♯ and due to voice leading considerations.

♯IIo7 as dominant substitute.

Four-four pattern with open (o) and closed (+) hi-hat (see: percussion notation).

MIDI of the beginning of "Adeste Fideles". Created by Hyacinth (talk) 22:59, 1 February 2012 (UTC) using Sibelius 5.

Suspended 4th Chord on C.

Drum pattern, quarter notes on the bass and snare, accompanied by a steady ride pattern of octuple whole notes. =60.

V of V chord progression in "Sweet Georgia Brown". V/V/V-V/V-V-I: A-D-G-C. Note that the tempo is kept but the number of measures is cut in half.

I - ♭VII - ♭VI - ♭VII in C. Created by Hyacinth (talk) 00:31, 14 March 2010 using Sibelius 5.

Utwór "ARFA ZE SZCZYTU CHORU" z "Dramatu Akropolis część muzyczna", autor partytury: Bolesław Raczyński.

One Drop drum pattern.

Purdie shuffle variant. Created by Hyacinth (talk) 01:56, 30 October 2010 using Sibelius 5.

Phrygian Andalusian cadence.

Suspended fourth chord on C in first inversion.

Alexander Scriabin: opus 42.01

Alexander Scriabin: opus 32.01 (on Yamaha Clavinova)

Seventh flat thirteenth chord on C. Created by Hyacinth (talk) 17:05, 10 July 2008 using Sibelius.

Minor triad on C

Ausschnitt aus Hummels Klaviersonate fis-Moll, op. 81

V-IV-I turnaround in C. Created by Hyacinth (talk) 08:54, 6 December 2010 using Sibelius 5.

Ausschnitt aus Joseph Haydns Klaviersonate Hob. XVI/Nr. 8

Alexander Scriabin: opus 25.09

*Augmented unison on C = C♯. Equal-tempered: 21/12:1 = 100 cents. MIDI pitch bend: none Note how the diminished unison is essentially equivalent to the augmented unison.

Stomp progression, block chords. IV7-#ivdim7 I7of5-I7 IV7 -#ivdim7 I7of5-I7 IV7-#ivdim7 I7of5-V7ofVofV V7ofV-V7 I7

Created using Sibelius.

Stomp progression two-measure three-chord harmonic cycle. F F#dim7 C7/G C7.

Bars 1–2 from Claude Debussy's Sarabande from Pour le piano. Midi version created by Hyacinth (talk) 20:32, 4 February 2011 (UTC) using Sibelius 5.

Ghost note drumming: ghost notes indicated by parentheses, main notes distinguished by accents.

B diminishedΕλληνικά: Η συγχορδία ΣΙ ελαττωμένη